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The Coffee Guest
Bonnie Nish interviews ~ Liars of Orpheus
The
Vancouver Poetry scene is absolutely exploding. Everywhere you turn a new open
mic or featured poetry event is turning up and it is a poet’s dream come true.
Now about to be added into this already exciting mix is a dynamic group called
The Liars Of Orpheus. Comprised of Johnny Frem, michael sean morris, James Mullin
and Nathan Matthews, these men are preparing to add a whole new dimension to the
spoken word scene with their innovative musical talent.
Walking
into Johnny Frem’s living room (the founder and continuing force behind the ever-
expanding and incredibly successful Bolts of Fiction) you would never realize
the kind of imagination or energy these men possess in order to make it all come
together. Leaning back in an easy chair Frem blows away on his trumpet a
recognizable tune, while morris accompanies him on his newly-acquired djembe
drum. (Mullin and Matthews couldn’t be present at the time of our interview)
They have been jamming together for the last hour and I take a moment to listen,
record (too bad I can’t share it here) and get a feel for what is about to erupt
onto the already hopping Vancouver Literary World.
What are
these dynamic four are all about? With Frem on trumpet, morris on precussion, Mullin
on mandolin and Matthews on guitar and bass, the focus of the group is to
accompany readers, bringing out the underlying tones of any piece of writing. Coming
together as they have was more about timing than anything else. They were all
ready for something like this, and timing influences everything they do. Right now
their jam sessions are two-fold. The men are building up a repertoire from
which they can draw various pieces that would set any given mood the writer might
call for. But most importantly these sessions are about getting to know each
other like a well-thumbed book. With just a few chords that anyone of them
starts, they can easily slide into any given riff at any given
time. .
Yet it is
not just the fact that they are all musicians, which sets them apart from other
groups. They are writers as well, something which Frem, who has been playing
trumpet since he was a teen, holds as essential to what they do.
“ We are
all writers,” emphasizes Frem.” So we all are totally clued into the words.
Musicians, if they are not writers don’t hear the words.”
For Mullin
(whom I talked to later by phone from Tanglewood Books where he is a bookseller),
it is very much about the words.
“I bought
my first mandolin at 17 and I have been playing on and off since then.For me the
music is a secondary role to the writing.”
Morris who
is the newest to the musical end of things purchased his drum for his birthday
last November. He has been listening to the big bands of the Thirties for a long
time knowing that they have the kind of tightness he believes the group can
achieve while putting a modern edge to it.
“ What you
put in you get out!” beams Morris who is obviously committed for the long haul.
After all they have lots and lots of new ideas for growth, always incorporating
and staying within the main theme of what they are about-- backing up the
spoken word.
“ I can see
us adding videos and or even dance,” says Frem as he quickly adds, ” but it has
to thematically imply the poem. At all times we accompany the words. We are
literary back-up”
What other
kind of literary back-up do they see themselves doing? If someone is having a
book launch, know Liars of Orpheus are for hire. They will fill the dead air time
when people are arriving and leaving as well as play along with the reader to
set the mood. They will work with the reader beforehand, either in person or
over the phone to build a sense of what is needed to create the right
atmosphere.
Other plans
include incorporating a large number of musicians being brought into their ensemble
over time. They will become interchangeable, allowing for any given four to six being
called upon to perform at any given event. Along with
this they know at some point there will be CDs and touring. In the meantime
they are working on some set pieces, such as a Coleridge poem, a Frank Zappa
number and a few songs, which Morris has written.
But what of
their name, the question begs asking. Mullin says that it was Frem and morris
who came up with the idea for the group while he and morris came up with the idea
for the name.
“Orpehus
was an ancient Greek poet so it just seemed perfect for this bunch of guys. And
the ancient Greek bards played lyres. It seemed funny to modernize it, spell it
like liar.”
But Orpheus
also went into the underworld to try to bring back his wife Eurydice after she
was killed by a serpent. His beautiful songs convinced Hades to allow him to
bring her into the living world on the condition that he not look back until
they had reached the surface. Just before he reached his destination, Orpheus
turned to make sure she was still there and in that very instant she
disappeared.
“ Writers
experience things and write about them so others don’t have to.” You can tell by
morris’ quick reply he has experienced a lot in his life. “They go to the
deepest part of themselves. I instinctively knew the name would be right. I have
trouble with lying. I funnel it into my writing so I can be more honest in my life.
It's a poet thing.”
And what of
the future now that they have covered the past? They are burning up the pages
with their vision to grow. morris best sums up the whole process of which they are now in the
mist of.
“This is
all a part of life,” he muses. “A fusing together into a bigger whole, like
stained glass coalescing.”
And that is
exactly what this group is about to do to the Vancouver literary scene. With their
hot innovative ideas and fresh jazzy tunes the whole thing is going to become
one beautiful stained glass window reflecting, back onto the world how truly
dynamic Vancouver has become, all brought about with the passion and the raw
energy these renaissance men exude.
Look for The Liars of Orpheus when they debut with an open mic for poets,
and accompany the launch of John Moore's latest novel "The Flea Market"
(Ekstasis Editions, Dec.2003) on February 9th
read by Kate MacDonald of Trans-Siberan Records 7pm. El Coal
Previous Interviews:
Estelle Bogoch ~ Re: Crosswords for Gardeners
Byron Sheardown ~ Re: Quills Canadian Poetry Magazine
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