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Joelene Heathcote
Joelene Heathcote has an MFA from the University of
British Columbia. Published internationally, she has received
many awards for writing including ARC Magazine’s Poem of the Year;
THIS Magazine’s Great Canadian Literary Hunt; and most recently,
The Florida Review Editor’s Choice Award. Her book of poetry titled
What’s Between Us Can’t Be Heard (Ekstasis Editions, 2002) was a
finalist for the Pat Lowther Award. She is at work on a new collection
titled, The Alienation Effect.
Contact: heathcote@shaw.ca
Selected Poem:
Synechdoche
Summer, begin there
On one of those important days in the twentieth century
Remember to close your eyes.
Morning is best because it holds the dream still
slow as turtles on the beach, your comrades—some
gone belly up. Look at the way
they’re stripped of rations—stay low. All defenses
leave a body picked clean of socks and food,
weapon, and name. You have learned two rifles
are better than one, grenades, whole or in pieces,
are made of a steal so strong it must be
carved from the flesh with a knife.
You increase your chance of living if you listen
with your cells, they know what the mind simply
doesn’t remember: the safety of tree lines and mountains,
the danger of open fields or water.
Point your rifle in the dark and let it
say what you can’t and have the same effect.
Go for the head or the heart, a resistance
separated by blond tripwire woven
in a dry field your enemy or future children
will snag their feet on. Nothing is more
primitive than hate—a sort of shrapnel your eyes
and face absorb. Do you see what’s happening?
Watch the man wading in the chest-high grass.
What is he looking for? A place to lay down, or
something to eat, or you? And then,
like a bird underground, or a brown fish
from a buried stream, the thing you’ve planted
rises, a silver spray from fin or wing
bringing his body down. I want you
to pay close attention because this is important.
He is maybe three hundred feet away
but each time you see this happen
he’s closer, the wire going tight as a line
of web and for a moment you imagine
he’s dancing but you know not how these
people dance. And though you most certainly
want to cry, resist. Such sounds are weak
and heard for miles; stay low. Wait until darkness
to run another line, weightless as a sliver of moonlight
dividing the grass and then touch your face again
so you know for sure this time it wasn’t you.
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