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First Place Winner: Joelene Heathcote

From Sergeant John Payne to his Mother


She knew where his letters had been
written from: approximate miles
inside Japanese borders,

the bloom of his parachute, light as cotton
carrying his body into the night like a seed. How easy
it was for them to find him.
A man in a cell is not a man,
he told her, so much as a blank check
for the army whose lines his downed plane
was on the wrong side of.

His simply being there, gave them more
of what they wanted: to see in the eyes of
the other how frightening they were.
Often, he felt, it was human currency they wanted,
or added ambiguity—anything to keep
his country guessing.

He tried to forget where he was. So, for a long time
he did not write. There was no window and no light so
that night went on forever

until it was impossible to remember how wide
it was or whether there was ever
forest floor.

His job was to lift the secret
meanings of things from foreign papers. But
when the patterns did not show themselves, he said

they had their ways of shedding light on what he knew.

Never any reply, though he’d written home often
asking someone to reach into the darkness for him.

He must have suspected letters never cleared
the high wire fences, burned instead like white moths
in the chests of fellow soldiers

His words, his mother can see now, were snakes for the throats
of the Japanese, dangerous to them
in the way they moved across the paper, curved
below the lines like the tails of monkeys.

Word reached home like invisible ink on the mouths
of the ones who made it over the wall

and everything else the enemy loosened
like a red cravat from the necks of those soldiers
whose heads they were now cutting off.

* In the last letter to his mother, Canadian soldier John Payne wrote from a Japanese prison “should I not make my escape, know I have departed to a better place (I hope) although it will grieve me to exchange my guitar for a harp even though there is a higher percentage of gold in the latter” (Canadian War Museum).



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