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Neil Aitken


 

Neil Tangaroa Aitken is a poet, editor, teacher, web-designer, ex-computer games programmer, and sometimes artist.  His first collection of poetry, The Lost Country of Sight, placed as a semi-finalist in the University of Wisconsin Press Poetry Series.  Individual poems from the manuscript have been published in such places as Crab Orchard Review, Portland Review, Poetry Southeast, and Washington Square.  His poem, "After Neruda," was nominated for a 2005 Pushcart Prize in Poetry.

 

Born in 1974 in Vancouver, British Columbia, Neil grew up in Saudi Arabia, Taiwan, the United States, and various parts of Canada. He has lived in a wide variety of communities: from small farming towns in northern Saskatchewan to the industrial districts of Taipei City. He recently completed an MFA in Creative Writing (Poetry & Fiction) at the University of California-Riverside, and now resides in Port Coquitlam, British Columbia.  He is the editor of Boxcar Poetry Review and teaches creative writing both privately and through the local community colleges.
 

Contact: neil.aitken@gmail.com

or visit www.neil-aitken.com


 

Selected Poem:
 

After Neruda

 

Suddenly, everything is a woman.

 

The way a street lamp curves

at the edge of a dark street,

or an orchid blooms in an empty room,

patient for destruction, beautiful as a white slip

floating in the wrecking ball's wake.

 

You hear the sea in everything,

its great bell-like waves sounding

deep in your anxious sleep, moving invisibly

by your ears with each passing car.

 

Light takes on a strange quality,

like the once-familiar scent of women

you have known or the texture of old bus tokens,

worn smooth in pockets, no longer in currency.

 

You want to make love

in a language you do not know,

or write prayers between the lines 

of old dollar bills given to strangers.

 

You caress the backs of pews,

pray to unknown gods you have witnessed

from your window, their half-closed eyes

flashing in the distance, like lighthouses in a storm.

 

In the kitchen, you surround yourself

with apples, lemons, and a tomato.

Arranging them in silence,  you can sense

her presence just beneath the skin.

 

When you hold the tomato to your ear

you can hear her breathing in ragged sighs,

like a ship heaving against the tide.

 

When you press it to your lips,

you can still taste the unwashed salt of sorrow.

 

(Nominated for 2005 Pushcart Prize in Poetry.  First appeared in  Beyond the Valley of Contemporary Poets 2005)

 


 

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